Capulets vs. Montagues

We Happy Few’s ROMEO AND JULIET opened last night! With the momentum gained from completing the first show, we’ll keep giving great performances so be sure to get a ticket! There are 8 shows remaining in our 2nd annual appearance at the Capital Fringe Festival.

In celebration of starting performances, we present to you another glimpse at the inner workings of the show. This time, the cast talks about the feud between the Capulet and Montague families, including some characters’ views on the feud and even our guess at how the feud began in the first place. Enjoy!

Lady Parts

If you’ve read anything we’ve written about the show to date, you already know that we’re emphasizing gender roles in our upcoming production of ROMEO AND JULIET at this year’s Capital Fringe Festival. Below is the list of actors and their roles, including the ways that we’ve used creative double-, triple-, and even quadruple-casting.

Nathan James Bennett: Nurse & Tybalt

Raven Bonniwell: Juliet

Chris Dinolfo: Lady Capulet, Peter, Apothecary, & Gregory

Chris Genebach: Capulet, Friar John & Sampson

Sean Hudock: Romeo

Kiernan McGowan: Benvolio & Paris

Paul Reisman: Friar Lawrence, Montague, & Abraham

William Vaughan: Mercutio & Prince

Juliet is the only female character being played by a woman. We’re attempting to emphasize the male-dominated world by which Juliet is surrounded by having all of the other women characters, namely the Nurse and Lady Capulet, also played by men. That is to say, these other women have already become a part of the society dictated by the wills of men in the world of the play.

It is not our intention to make a parody of the women characters, which is the really the opposite of the point we’re trying to make. We definitely won’t be giving them fake boobs (as much as they might want them). We will, however, be attempting to show how Juliet and her Romeo begin to break out of the boundaries set by this masculine, patriarchal society as they break traditional Capulet and Montague rules. But of course, that forward motion comes to a screeching halt at the end of the play for obvious reasons. If you don’t know what I’m talking about, definitely go read the play.